Minimax H3 Turbo LoRas

integrated_multimodal_description: [Shot 1] Vertical first-person smartphone footage on a bright modern shopping street in daylight. The woman's right hand enters from the lower right holding a small imaginary doodle-conversion scanner: an obviously fictional 2D hand-drawn prop with an irregular black outline, white paper texture, cyan and pale-pink marker accents, and one simple circular energy gauge. The scanner remains identical in size, color, and shape throughout. The 1x main phone camera frames a white vending machine against a pale wall. The operator clicks the scanner trigger; a short cyan hand-drawn ripple and a few black ink dots touch the machine. A loose black-line targeting frame with cyan circles locks on for 0.8 seconds, then only the vending machine becomes a rough white-paper 2D doodle while its position, scale, perspective, wall contact, and drink slots remain unchanged. [Shot 2] At 00:03.750, the camera cuts to a sun-dappled sidewalk and tracks a passerby's transparent umbrella from behind. The scanner locks onto only the moving umbrella, preserving its angle, occlusion, and motion with the real female walker. After 0.7 seconds, the umbrella becomes a semi-transparent white-paper doodle with trembling black edges and cyan-pink hatch marks; the person, hand, clothing, and street remain live action. [Shot 3] At 00:07.500, the camera cuts to a parked city bicycle beside plants, paving, and a low rail. While walking, the operator points the scanner at the bicycle. Cyan lines travel along the frame for one second, then the bicycle becomes a cute static doodle bicycle with a white frame, uneven black outline, cyan basket, and pale-pink fenders. The wheels, chain, handlebar, ground contacts, gravity, and perspective remain physically exact; only the drawn outlines gently boil frame by frame. Keep every non-targeted surface and person live action. Use uneven black outlines, white paper fill, colored-pencil and marker hatching, ink specks, slightly overflowing color blocks, and subtle boiling lines. Use bright clean cyan-and-pink pastel color grading, modest smartphone HDR, soft digital sharpening, slight walking bounce, delayed tracking pans, small hand tremor, and minor auto-exposure shifts. Do not show a realistic firearm, bullets, explosions, injury, fire, text, subtitles, logos, watermarks, extra fingers, warped hands, layer drift, fisheye distortion, heavy depth of field, or excessive glow. overall_soundscape: Quiet pedestrian ambience, soft footsteps, a small trigger click, gentle electronic lock-on tones, marker-on-paper strokes, and tiny ink-dot pops accompany the live street sounds. non_diegetic_music: N/A

https://www.seaart.ai/blog/minimax-h3-prompt

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For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Cinematic, high-quality movie. Tracking shot. At 00:00.000, the camera moves backwards, focusing on the female Sister of Battle from the Warhammer 40K series in the center of the scene as she walks forward. Snow blows in front of the camera as the wind blows intensely, causing the woman's hair to whip in the wind. The camera arcs to the right at slow speed as she slowly walks forward through the deep snow. With a deep, low-pitched female voice, she says: <d>[English]The emperor has clearly forsaken this frozen hell.</d> At 00:05.000, she stops and looks to the left. The camera positions above her shoulder and focuses on the entrance to a dark, narrow cave in the side of a mountain. An echoing, guttural roar can be heard coming from the depths of the cave. [Shot 2] At 00:08.000, the camera hard cuts to the front of the woman as she raises the pistol in front of her. She walks forward towards the camera with narrowed eyes and a furrowed brow. overall_soundscape: The crunching sound of heavy footsteps in snow. The loud guttural animalistic roar of the unseen animal in the cave. non_diegetic_music: N/A

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https://civitai.com/images/139448487

low-res 4 / 2 steps

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