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midjourney krea2

midjourney krea2

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About This Model

KREA2 · LoRAs

by SPOON_IA - KREA_2_MIDJOURNEY

一幅高电压的赛博达达主义纸艺拼贴画，主角是一只狡黠的、拥有赤褐色毛发的拟人化红狐黑客。他的连帽战术夹克由层叠的电路板蓝图、撕碎的1990年代电脑杂志页面和光泽感十足的虹彩条形码标签构成。一只逼真的白貂像围巾一样调皮地绕在他的脖子上，正啃食一根亮黄色的以太网线。发光的霓虹洋红色胶带和硬朗的青色纸片框出他的脸部。一块失真的数字LED屏幕，显示着文字“SYSTEM REBOOT”，直接覆盖在他的双眼上，像一块刺眼的发光面甲，完全遮住并取代了他的目光。 拼贴的背景是一面严重破损、贴满小麦糊的海报墙，上面布满了随意喷涂的数字。

storybook illustration, intricate ink linework, atmospheric watercolor wash, deep forest and grotto motifs, muted earthy palette, subtle bioluminescent lighting, cross-hatching textures. Subject:highest quality, highly detailed, brilliant colors. magic, dreamy. bright dark blue and black colors with some red. a breathtaking watercolor landscape painting of an old italian fishing harbour by the sea. a magical haze, fog, circling seabirds and a scary atmosphere. It seems as though there are still a few fishing boats out at sea - but noboy knows. cinematic, dramatic lighting, dof, vignetting. masterpiece of art. award winning painting. <lora:krea2 Midjourney v1 ():0.5> <lora:krea2 Astrelune Graphic Illustration v1 (astrelune):1.0> <lora:krea2 Kulenovic Style v1.0e (Kulenovicstyle):0.8> <lora:krea2 We All Starve Horror Illustration v1 (weallstarve):1.0>

a traditional chinese gongbi-style ink and watercolor painting of clusters of ripe orange persimmons rendered in fine linework and soft color washes, nestled among ovoid leaves that shift from soft green to withered rust-red and burgundy, with a few dried, curling leaves adding texture. a slender, pale grayish-brown branch, kept light and understated with thin ink linework rather than heavy or dominant strokes, threads quietly through the composition to support the fruit and foliage. the composition is arranged vertically, with the branch entering from the upper right and drifting downward and to the left, fruit clusters weighted toward the center and lower half of the frame against a plain, aged cream-toned paper background left largely empty, giving the piece a spare, minimal quality. lighting is soft, even, and diffused in the classical gongbi manner, with light ink washes gently shading the leaf veins and the fine branch line rather than any strong directional highlight or shadow. the framing is a full vertical hanging-scroll view capturing the entire composition. the overall palette is muted and earthy, dominated by ochre, burnt sienna, and moss green, finished with delicate fine-line brushwork, evoking a serene, uncluttered, classical botanical mood.

high resolution. representacion of Wolverine, in Black Painting in The style of Francisco de Goya, grotesque art, psychological terror, schizocore, violent, full body view, dark, dripping oil painting, , dark gothic horror atmosphere, glowing eerie mist, unsettling mood, dramatic chiaroscuro lighting, highly detailed, intricate

ng_deepnegative_v1_75t, (worst quality, low quality:2), render, cg, black colors, black hair, unreal engine, monochrome, zombie, overexposure, watermark, text, bad anatomy, bad hand, extra hands, extra fingers, too many fingers, fused fingers, bad arm, distorted arm, extra arms, fused arms, extra legs, missing leg, disembodied leg, extra nipples, detached arm, liquid hand, inverted hand, disembodied limb, asian, chinese, busty, teeth, (epicnegative:0.9)

a traditional chinese gongbi-style ink and watercolor painting of clusters of ripe orange persimmons rendered in fine linework and soft color washes, nestled among ovoid leaves that shift from soft green to withered rust-red and burgundy, with a few dried, curling leaves adding texture. a slender, pale grayish-brown branch, kept light and understated with thin ink linework rather than heavy or dominant strokes, threads quietly through the composition to support the fruit and foliage. the composition is arranged vertically, with the branch entering from the upper right and drifting downward and to the left, fruit clusters weighted toward the center and lower half of the frame against a plain, aged cream-toned paper background left largely empty, giving the piece a spare, minimal quality. lighting is soft, even, and diffused in the classical gongbi manner, with light ink washes gently shading the leaf veins and the fine branch line rather than any strong directional highlight or shadow. the framing is a full vertical hanging-scroll view capturing the entire composition. the overall palette is muted and earthy, dominated by ochre, burnt sienna, and moss green, finished with delicate fine-line brushwork, evoking a serene, uncluttered, classical botanical mood.