Minimax H3 Heavy Breasts Physics — V1

Use ref image 1 as starting frame (woman), and ref 2 as male character (Quagmire from Family guy). Keep their facial traits unchanged during the whole video. Realistic video style, but the character from image 2 is cartoon style. Fully white background, ref image 1 as first frame. BBWBOUNCE, the woman from image 1 shakes her chest and massive natural breasts from left to right. Quagmire from ref image 2 enters the frame on the right, and starts groping her fat natural breasts with his hands, she closes her eyes and moans as he grabs and shakes her breasts. He says "giggity giggity"

Style: 25-second 1990s late-night American TV commercial. Grainy VHS look, soft CRT scanlines, slightly oversaturated colors, low-budget studio lighting, cheesy 90s product-ad energy, fast cuts, bold on-screen text, upbeat synth-jingle that turns slightly sleazy. 4:3 or 16:9, 24–30 fps. Script & scenes: <scene 0> Tired 30-something man sitting on a 90s living-room couch, looking bored. Bold flying text: “TIRED OF THE SAME OLD NIGHT?” Man [depressed]: "Oh, I'm so bored!" Deep 90s announcer VO: “Gentlemen… are you ready for the ultimate pressure relief?” <scene 1> Hard cut to the Japanese cheerleader in a bright white studio. She smiles at camera, slowly turns to show her side profile, then her back, swaying her hips so the short skirt lifts and her big round ass is fully displayed. Looks over her shoulder with a playful smirk. On-screen text: “BIG FAT BOOTY SPECIALIST – NOW AVAILABLE FOR HOME DELIVERY” Announcer: “Introducing Face-Sit Express! One phone call and Japan’s thickest cheerleader comes straight to your house…” <scene 2> Quick montage: – Man opens front door; cheerleader stands there waving with pom-poms with the suburban neighborhood in the background. – Living room: she climbs onto the couch, turns around, and slowly lowers her big soft ass right onto the man’s face while he lies back. Skirt flips up. – Close-up of her smiling face looking down as she sits fully. – Behind angle showing full weight and jiggle. Cheerleader (soft Japanese, playful): “Mmm… biggu būtii sābisu o yonda no? Okay… jitto shite te, watashi ga zenbu yatte ageru ne.” <scene 3> Man’s muffled happy sounds from underneath. Cheerleader gently bounces and grinds a little, still smiling at camera. On-screen text: “100% AUTHENTIC JAPANESE THICKNESS • SAME-DAY ARRIVAL” Man's face completely covered by her ass but he gives a big thumbs up to the camera: "MMM! MMMM! MMPH!" <scene 4> Cheerleader stands up, turns to camera, does a cute pom-pom shake, then blows a kiss. Big bold text + phone number: “CALL 1-800-FACE-SIT NOW!” Announcer (faster, excited): “Face-Sit Express – because everyone deserves a big thick Japanese booty on their face. Operators are standing by!” Final freeze-frame on her ass as the 90s jingle ends with a soft “boing” sound effect. <scene 5> Same tired 30-something man on the 90s couch, looking mildly satisfied from the previous delivery. Bold flying text: “BUT WAIT…!” Man [casual]: “That was pretty good…” Suddenly the announcer SCREAMS at the top of his lungs: “BUT WAIT!!! THERE’S MOREEEEEEE!!!” Man jumps in pure shock. <scene 6> HARD CUT to the front door of the house. With a loud CRASH the door gets kicked clean off its hinges. The new, much thicker red-outfit Japanese cheerleader storms in like a wrecking ball, pom-poms shaking, massive ass bouncing heavily with every step. She marches straight into the living room with pure confidence. On-screen text (flashing wildly): “EVEN BIGGER BOOTY SPECIALIST – EMERGENCY UPGRADE!” Announcer (still screaming with pure hype): “YOU WANT AN EVEN BIGGER BOOTY?! WELL WE’VE GOT AN EVEN BIGGER MODEL FOR YOUUUU!!!” <scene 7> Suddenly she unrealistically jumps high into the air like a cartoon character, spinning once with pom-poms raised. She then CRASHES straight down with full force, landing her massive soft ass directly onto the man’s head and completely burying his face. The couch nearly explodes from the impact. Extreme jiggle and weight. Man’s muffled screams of pure bliss from underneath: “MMMMMPH!!! WHOA—MMM!!!” On-screen text: “100% AUTHENTIC JAPANESE EXTRA THICKNESS • SAME-DAY DESTRUCTION” <scene 8> Hardcut to both [s1] and [s2] posing in the white background for the end titles as both of them turn their butts to the viewer and they twerk their asses and jiggles like crazy. Big bold text + phone number flashing: “CALL 1-800-FACE-SIT NOW! ASK FOR THE XL MODEL!!!” Male Announcer (completely unhinged, screaming): “FACE-SIT EXPRESS THICKNESS AND XL! WHAT ARE YOU DOING??? CALL NOW!!!” <scene 9> Hardcut to a wide shot of a hospital room, slight side view of the main man in bed in a full-body cast with his neck in a splint, he has one bruised eye and he gives a thumbs up and smiles to the camera with a little twinkle in his eye tv motion graphics effect at the end. <scene 10> Hardcut to both [s1] and [s2] posing in the white background for the end titles as both of them turn their butts to the viewer and they twerk their asses and jiggles like crazy. Big bold text + phone number flashing: “CALL 1-800-FACE-SIT NOW! ASK FOR THE XL MODEL!!!” Male Announcer (completely unhinged, screaming): “FACE-SIT EXPRESS THICKNESS AND XL! WHAT ARE YOU DOING??? CALL NOW!!!” <scene 11> Hardcut to a wide shot of a hospital room, slight side view of the main man in bed in a full-body cast with his neck in a splint, he has one bruised eye and he gives a thumbs up and smiles to the camera with a little twinkle in his eye tv motion graphics effect at the end.

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Use ref image 1 as starting frame (woman). BBWBOUNCE, the woman from image 1 poses sensually, she does multiple poses, her natural breasts shaking at each movement. She then approach sensually the viewer, she bends over and shakes her breasts while putting her hands on the neck playfully with both hands, while sticking her tongue out. Casual outdoor audio (birds chipping etc).

WORKFLOW IS EMBEDDED - Sharing is caring, download and drop in ComfyUI. Minimax is really amazing. subject_definitions: <Subject 1> is the adult woman in <Picture 1>. Preserve her exact face, hair, skin, body, clothes, accessories, and both hands where they already are. <Subject 2> is the adult man already at the bottom of <Picture 1>: hips and penis only, penis already inside her. His face stays out of frame. His hands stay out of frame. <Subject 3> is the bed, sheets, pillow, and background exactly as framed in <Picture 1>. <Picture 1> is the source for her identity, his penis inside her, the pose, the lighting, and the starting camera. summary: Continuation of <Picture 1>. He pushes in slowly, then harder and faster. Her breasts move wildly, jiggly and bouncy with exaggerated physics. She slowly spreads her legs wider and grips her thighs harder. Her moans turn into open-mouth tongue-out "han, han". The sounds get wet and sloppy. retention_analysis: <Subject 1> (appears throughout): fully_preserved - exact face, hair, skin, body, clothes, and accessories from <Picture 1>. Both hands stay on her thighs, fingers pressing harder as the clip goes on. Her legs spread slowly wider than in <Picture 1>. <Subject 2> (appears throughout): fully_preserved - same hips at the bottom of frame. Penis stays inside her. Face stays out of frame. Hands stay out of frame. <Subject 3> (appears throughout): fully_preserved - same bed, sheets, pillow, and background from <Picture 1>. No new location. <Picture 1> (pose): fully_preserved at 0:00 - same pose, same framing, eyes on the lens. Legs and grip then change slowly from that start. detailed_description: Keep the exact look of <Picture 1>. No redesign. No new clothes. No new hair. No new room. [Shot 1] Starts on the exact pose of <Picture 1>. She is already in that pose, hands on her thighs, eyes on the lens. His penis is already inside her. His hips are at the bottom of the frame. Same camera, small shake. 0:00-0:06 He pushes in slowly until his hips meet her, then draws back a short way inside her. The penis stays inside her. Each push is wet and sloppy, with a soft slick sound. Her breasts shift with the push, jiggly and bouncy. Her hands stay on her thighs. Her fingertips start to press into the soft flesh. Her lips part. She lets out a short breathy "han" on the push, mouth barely open. Her knees ease a little wider. He pushes in a little harder, still slow, until his hips meet her, then draws back a short way inside her. Her breasts roll with each push, exaggerated bounce. Her gaze shifts to a dazed bliss. Eyes stay on the lens. She moans louder, open-mouth "han, han" on each push, breath catching. Her fingers grip tighter, visibly dimpling her thighs. Her legs spread slowly wider, thighs opening further apart. Clothes and accessories stay as in <Picture 1>. He pushes in faster and harder now until his hips meet her. Wet sloppy sounds on every stroke. Her breasts roll and bounce with each push. Her mouth stays open, tongue out, ahegao face. The moan turns into a tongue-out "han, han, han", airy, broken, pushed out on each stroke, air spilling past the tongue. Eyes stay on the lens. Her fingers dig harder into her thighs, pressure visible in the flesh. Her legs are spread wider than at 0:00. The penis stays inside her. overall_soundscape: The bed and sheets of <Picture 1>. A wet skin slap each time his hips meet her, plus slick, sloppy, squelching sounds on every push, louder as he goes faster. Her voice is an open-mouth ahegao moan, tongue-out, breathy and broken: short "han, han" on each push, air spilling past the tongue, not a closed-lip moan. His breath stays below frame. non_diegetic_music: N/A

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[0s-3s] Medium shot of a woman in a purple dress standing on a busy city sidewalk, pedestrians walking past in both directions. She looks at the viewer with a subtle smirk, then glances at the woman in front of her wearing a white tank top. The woman in purple raises a wand slightly, whispering: "Borrowing these." Energy shimmers around the wand tip. Ambient city sounds: footsteps, distant traffic, muffled conversations. [3s-7s] Visible energy flows from the woman in white to the witch. The woman in white's chest deflates rapidly, her tank top sagging empty as she flattens to almost nothing, her gasping and looking down in shock and alarm. Simultaneously, the witch's chest expands outward, purple fabric pulling tight, buttons straining, large breasts pressing against the material with deep cleavage visible. The crowd continues walking by, mostly oblivious. Soft magical humming sound with a whoosh of energy. [7s-10s] The witch, now with prominently large breasts straining her purple dress, lowers her wand. She turns toward the camera and walks forward, her enhanced chest swaying and jiggling with each step, fabric pulling tight. The now-flat woman behind her turns around, hands clutching her empty shirt. Her eyes widen, mouth falling open as she speaks: "What—where did they go?" She spins frantically, arms raised, clutching her cest. "Someone help! They're gone!" Panicked, distraught voice. City ambience continues. [10s-15s] Tracking shot follows the witch walking directly toward the viewer, large breasts bouncing and swaying heavily with each step, purple dress fabric straining. She calls over her shoulder: "I'll bring them back! Eventually." Satisfied smirk on her face, confident stride. The camera pushes in slightly as she approaches. Footsteps and fabric sounds, her voice clear and pleased.