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absolute cinema krea2

absolute cinema krea2

Muat turun disediakan oleh Civitai. Sesetengah pencipta memerlukan log masuk Civitai dahulu.

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KREA2 · LoRA

By Kaalciv - Style LoRA for creating cinematic realistic movie still shots. No trigger needed, adjust strength as desired.

zidiusArt,, midjourney,, whimsical storybook illustration,, GrimmsPaint, { "scene": "parody of a glamorous anime fashion strut, an unattractive disheveled middle-aged woman from Queens walking down a filthy New York sidewalk with total runway confidence, walking her hideous little dog", "location": "Roosevelt Avenue in Queens, New York, under the rusty green steel elevated subway tracks", "woman": { "lips": "huge glossy bright red lipstick drawn far beyond her natural lip line, the red clearly visible from a distance, a lipstick smear on one front tooth", "eyebrows": "fake drawn-on eyebrows painted with thick black pencil, extremely high and sharply arched in the middle of her forehead, one noticeably higher than the other, giving her a permanently surprised look, clearly visible above the sunglasses", "face": "woman in her fifties with a puffy round face, a large dark mole with a single hair on her chin, double chin, two round pink blush circles on her cheeks, chin raised high with a smug self-satisfied expression", "sunglasses": "huge oversized round hot pink plastic sunglasses sliding down to the tip of her nose, leaving her painted eyebrows fully exposed", "hair": "towering messy black beehive hairdo, greasy and flattened on one side, frizzy strands sticking out, grey roots showing", "body": "flabby arms, sagging deflated chest shaped under a long loose leopard-print top with a high round crew neckline, the top fully covering her stomach down to the waistband", "outfit": "shiny metallic gold biker jacket with silver zippers and studs, ripped light blue jeans with torn knees, scuffed white sneakers", "handbag": "cheap fake crocodile red handbag hanging from the crook of her bent left arm", "cigarette": "cigarette held between two fingers of her raised right hand, a thin trail of smoke, very long acrylic green nails on every finger" }, "pose": "walking straight toward the camera mid-stride, hips swaying like a catwalk model, head turned slightly to the side, gazing off into the distance past the camera, ignoring the viewer completely", "dog": { "breed": "small fat pug on a pink rhinestone leash, trotting ahead of her toward the camera", "face": "hugely exaggerated bulging eyes pointing in two different directions, long wet tongue hanging out sideways from the corner of its mouth, crooked underbite with two tiny teeth sticking out, deep wrinkles, snorting", "outfit": "tiny leopard-print sweater matching her top" }, "sidewalk": "cracked grimy concrete sidewalk, flattened chewing gum spots, a crushed soda can, scattered cigarette butts, a greasy paper plate, a puddle reflecting the elevated tracks, an overflowing trash can on the curb", "environment": "busy Queens street with shop awnings, a bodega with a neon sign, yellow cabs, pigeons pecking at crumbs, graffiti on the steel pillars of the elevated tracks", "environment.light_source": "harsh midday sunlight slicing through the gaps in the elevated tracks, casting striped shadows across the sidewalk, a bright patch of sun falling directly on her face", "style": { "medium": "high-quality anime illustration, polished gacha character splash art, clean lineart, glossy cel shading", "palette": "metallic gold, hot pink and lipstick red contrasting with grimy greys, rust greens and dirty yellows", "lighting": "glamour anime lighting with shiny highlights on the gold jacket, the sunglasses, her red lips and her hair, sparkling glints, striped sunlight" }, "camera": "low angle with the camera close to the sidewalk, wide-angle lens, the pug large and close in the foreground, the woman striding toward the camera with her face large, sharp and detailed in the upper half of the frame, elevated tracks overhead" }

A meticulously detailed, cinematic portrait captured on heavily textured, pushed vintage 35mm film stock, flawlessly embodying the quintessential aesthetic of a late 1970s or early 1980s European coming-of-age art-house movie. The image masterfully channels a moody, slightly grittier interpretation of the iconic David Hamilton photographic style, relying on a profound, dreamlike soft-focus technique—a deliberate "flou" effect—combined with a deeply nostalgic, sensual, and profoundly intimate atmosphere. The visual language is defined by its blending of striking, photorealistic physical details with a heavy, organic, coarse film grain and a very specific, stylized, earthy color grade. The color palette is dominated by muted, desaturated tones: olive drab, tarnished golds, pale translucent skin tones, and the chalky, distressed whites and dirty browns of weathered architecture, all bound together by a subtle, warm, slightly sepia-toned filmic halation. Centered in the frame, leaning heavily against a deeply weathered, antique wooden window, is a young woman, likely in her late teens or early twenties. Her body is turned in a three-quarter profile, angled slightly away from the camera and toward the source of light, yet her face is turned back, directing a piercing, languid, and hauntingly intense gaze directly into the lens. Her expression is a complex mixture of youthful vulnerability, exhausted defiance, and a deep, unspoken melancholy characteristic of the era's French cinema. Her complexion is striking, exhibiting a flawless, luminous porcelain quality that perfectly absorbs and reflects the soft, directional daylight. The intricate details of her face are rendered with hyper-realism: the strong, defined jawline, the subtle natural curve of her slightly parted lips, the faint shadowing beneath her high cheekbones, and the deep, soulful intensity of her pale eyes, which catch a soft, diffuse catchlight from the window pane. Her hair is a wild, voluminous cascade of bright, golden-blonde tones, styled in an incredibly messy, heavily textured, and distinctly 1970s "bedhead" fashion. It looks windblown, unkempt, and deeply organic. The hair is parted haphazardly, with thick, swooping, unruly bangs heavily obscuring the right side of her forehead and framing her face. The intense, diffused backlighting from the window catches the countless fine, wispy flyaway strands around the crown of her head, turning them into a glowing, ethereal, spun-gold halo that contrasts starkly against the slightly darker interior background. The coarse, tactile texture of the hair is hyper-detailed, highlighting the dry, voluminous nature of the strands. Her wardrobe, and the specific way it is worn, is the focal point of the image's art-house sensuality. She is draped in a deeply unstructured, profoundly loose, and incredibly delicate vintage dress made of a fine, lightweight fabric—perhaps washed silk or incredibly soft, thin rayon—in a muted, earthy olive-green or moss color. The garment is designed with an almost completely open, drastically plunging back. Holding the tenuous structure of the dress together is a single, impossibly thin, dark spaghetti strap that cuts diagonally across the smooth, pale expanse of her bare back, creating a striking line of tension. The front of the dress, specifically the left sleeve or shoulder panel, has slipped dramatically and completely off her left shoulder. The fine olive fabric pools and bunches heavily around her lower bicep and elbow in a cascade of soft, hyper-realistic folds, micro-wrinkles, and draped tension lines. This profound state of undress reveals her completely bare left shoulder, her delicate collarbone, the smooth, sloping expanse of her bare back, and the subtle, natural side-profile curve of her breast, capturing the quintessential blend of casual accident and profound, raw intimacy central to the era's photographic style. Her pose is casual, weary, and highly authentic. Her left arm is raised, bent slightly at the elbow, with her hand resting out of frame, seemingly gripping the middle crossbar or sash of the old window for support. The delicate anatomy of her forearm and the soft inner crease of her elbow are sharply focused and illuminated by the window light. The setting perfectly contrasts the ethereal, soft beauty of the young woman with a gritty, realistic, bohemian decay. She is leaning against the interior frame of a massive, heavily dilapidated, and deeply aged wooden window. The window frame is a masterclass in textural realism. It is covered in layers of old, chalky, distressed white paint that is heavily chipping, peeling, and flaking away in large, dry scales, revealing the dark, rotting, honey-colored and deeply grained raw wood beneath. The architectural details of the window—the vertical mullions, the crumbling, hardened glazing putty holding the glass in place, and the deep, dust-filled crevices—are rendered with sharp, tactile clarity. The glass panes themselves are dirty, smudged, and heavily fogged, blowing out the exterior light into a massive, overexposed, glowing white void that hints vaguely at a sun-drenched, muted, and entirely unrecognizable street scene beyond. The lighting creates a masterful, dramatic chiaroscuro effect. The window acts as a massive, overpowering softbox. The light wraps aggressively around the left side of the young woman's face, her golden hair, her bare shoulder, and the draped olive fabric, creating a soft, glowing rim light that bleeds over the edges of her silhouette. The right side of her form, her face, and the deep interior of the room behind her fall off into rich, heavily textured, and murky umber shadows. The air within the room feels palpably thick, heavy with suspended microscopic dust motes catching the incoming light. The camera lens exhibits a very specific, shallow depth of field, keeping her piercing eyes, the delicate texture of her skin, and the complex folds of the falling olive dress in razor-sharp, striking focus, while allowing the flaking white paint of the window frame furthest from her, and the bright exterior, to melt into a creamy, atmospheric, and beautiful vintage bokeh.

ugly tone, overexposed, static, blurry details, poor style, bad composition, grayish overall, worst quality, low quality, jpeg artifacts, incomplete, extra fingers, poorly drawn hands, poorly drawn face, deformed, ugly, distorted limbs, fused fingers, messy background, three legs, plastic skin, flat, low detailed, low resolution, overweight, old, chubby, bad anatomy, unnatural lighting, washed out, pixelated, over-saturated, inconsistent shadows, asymmetrical face, unrealistic proportions, disfigured, grainy texture, oversharpened, color banding, distorted perspective, poor depth, unbalanced framing