Daring's Deepthroat H3/LTX2.3 MiniMax H3 FL2VA v0.2

Scene is multiple prompts 7 total, 7 scenes edited together. Each prompt starts the same, but changes for action and dialogue: ((Multicamera dynamic scene with different angles: hardcut to POV angle from Kimmy standing over the wife:2)), ultra-realistic high-production value, photorealistic 8K, masterpiece, best quality, intricate details, dynamic lighting and shadows, subtle film grain, shallow depth of field, natural living-room lighting mixed with soft practical lamps. Two Asian women on a beige sofa in a cozy modern living room. [Left – Wife] Cute Asian woman with short black bob hair and bangs, soft round face, wearing a navy blue polka-dot dress over a white ribbed t-shirt. [Right – Kimmy] Beautiful Asian woman with long straight black hair, massive heavy breasts, tight white cable-knit deep V-neck top with lace trim, cream floral mini skirt, thick hard erect futa cock fully exposed and glistening. Kimmy stands up in front of the wife. The short-haired wife is on her knees between Kimmy’s thighs, face tilted upward, eyes half-closed in anticipation, mouth already slightly open. Kimmy grips her massive thick veiny futa cock with one hand and strokes it rapidly, aiming straight at the wife’s upturned face. Kimmy’s huge cock throbs with unrealistic orgasm: multiple ejaculations of translucent-semi-white realistic semen cum, lands onto her face bukkake style and starts to completely soak the wife’s face, short black hair, and the front of her dress in heavy layered glossy coverage. Semen ropes flood across her forehead, cheeks, nose, lips, chin and into her open mouth; the liquid glazes her eyes shut, drips heavily from her chin in long sticky strands, pools on her tongue, and builds up until her facial features are barely visible under the thick white slime. The realistic semen cum reacts realistically to skin, hair and fabric with dramatic dripping, splattering and pooling. (extreme cum volume, layered bukkake coverage, glossy wet cum physics:2.0) (penis tip stays cumless, no cum dripping down penis-tip:2) Camera sequence: - Wide establishing shot: full living-room view showing Kimmy standing and the wife kneeling between her thighs. - Medium shot from the side: Kimmy stroking her thick cock, wife’s upturned face in profile as the first heavy ropes begin to hit. - Hardcut to low-angle POV from the wife looking up: massive cock filling the frame, cum erupting downward in powerful pulses straight toward the camera/viewer. - Extreme close-up: tight shot of the wife’s cum-drenched face, thick translucent semen ropes sliding and glistening down her skin, lips parted and overflowing, soft moans escaping with every powerful pulse. - Over-the-shoulder shot from behind Kimmy: looking down at the wife’s face being thoroughly coated, Kimmy’s hand still stroking. - Medium frontal shot: Kimmy leaning forward slightly, massive breasts heaving, continuing to milk the last heavy spurts onto the wife’s already thoroughly coated face while the wife moans loudly in pleasure. - Final tight insert: extreme close-up of overflowing mouth and tongue as thick cum pools and drips. Wife (moaning, breathless): “Mmmhh… yesss… mmmm…” The wife opens her mouth wider, letting the relentless torrent fill and overflow, moaning continuously. Kimmy (naughty, voice from above): “Oh yeah you lil cumslut... open that mouth wide” The wife nods and moans in agreement, and opens her mouth wide letting her tongue hang out. Kimmy grabs the wifes head and starts face fucking her mouth hard, thrusting into her cum soaked face. super sloppy deep throat blowjob.

SHOT 1__________________________ For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] A single unbroken first-person POV shot held at the standing viewer's eye level, medium framing from mid-thigh up, centered on the woman's torso and face, with the red-and-orange-lit bedroom, left-wall posters, and right-side glowing desk/monitor softly out of focus behind her. She is already coiled and charged: wide blue-grey eyes locked on the lens, glossy lips slightly parted in an eager pout, long straight black hair with blunt bangs falling over her shoulders, green studded choker at her throat, cream "NYMPHO" bandeau top, pink vinyl pleated mini skirt, and black fishnet thigh-highs. 0.00–3.50 seconds — Setup and shout: She holds unbroken eye contact with rapid frantic blinks and opens her mouth wide to shout straight into the lens in a loud, breathy, almost desperate voice (S1), <d>[English] PLEASE PLEASE PLEASE LET ME SUCK YOUR COCK!!</d> As she shouts, both arms bend at the elbows and her forearms pump forward and slightly upward toward the camera with palms open and fingers spread, as if reaching to grab him; her shoulders shake with low frantic energy while her feet stay planted on the bed. The vinyl skirt gives a light rustle. 3.50–6.00 seconds — Descent: On the tail end of the shout she steps forward off the edge of the bed, transferring her weight from the mattress to the carpeted floor in front of it; she then bends both knees at once and lowers her hips in one fluid motion until both knees press into the carpet with a soft thud around 5.00 seconds, the pink skirt swishing as it drops. She settles immediately into a prayer position: palms pressed flat together just below her chin, elbows flared wide to the sides, head tilted up so her wide pleading puppy-dog eyes stay fixed on the higher lens. The camera performs a smooth downward tilt that follows her descent, ending at a slightly high angle looking down at her kneeling figure with her face held in the upper third of frame; the bed now sits behind her as background. A short pant escapes her. 6.00–9.50 seconds — Prayer plea: She holds the prayer clasp and adds a small eager bounce on her knees with a slight shoulder shake, never fully still, while delivering line 2 straight into the lens in a softer, breathy, pleading, tongue-tied tone (S1), <d>[English] Come on I want you so bad.I need you to use this wet little mouth</d> The camera holds the lowered high angle and begins a slow, steady zoom toward her upturned face. Soft panting continues over a faint warm room hum from the monitor. 9.50–15.00 seconds — Mouth display and payoff: She unclasps her hands, raising both to her mouth with index fingers extended and the other fingers curled; each index fingertip slides between her glossy lips at the sides, then she pulls outward and slightly downward so the fingertips hook onto the inside of her cheeks, stretching her mouth open extremely wide and holding it steady — soft palate, back of throat, and uvula clearly visible — while she stares up into the lens with frantic adoration. A wet parting-of-lips sound marks the opening around 10.00 seconds. The camera continues its slow zoom to a tight close-up centered on her face and stretched-open mouth, then comes to rest still, holding the pose as the final frame; sustained breathy panting and quiet room tone fill the last beat. overall_soundscape: Persistent faint warm room tone with a low monitor hum; continuous breathy panting from the woman throughout; light vinyl-skirt rustle during the 3.5–6.0s descent; soft thud of knees contacting carpet around 5.0s; wet parting-of-lips sound as she spreads her mouth around 10.0s; the two vocal lines (loud breathy shout at the start, softer pleading line mid-shot) as primary foreground audio. non_diegetic_music: N/A _______________________________________________________________________________________________________________________________________PENIS COMPARISON________________________________________________________________________ subject_definitions: <Subject 1> is the adult woman shown in <Picture 1>. Preserve her facial identity, long straight black hair with full bangs, blue eyes, green spiked choker, white bandeau top reading "NYMPHO", short pink latex pleated skirt, and fishnet stockings with black lace tops throughout the target video. Give both of her hands glossy black nail polish (echoing the scale hand in <Picture 2>). Use <Picture 1> for her character appearance and for the red-orange bedroom environment; do not transfer its upright standing pose or front-facing full-body composition into the target POV. <Subject 2> is the erect penis shown in <Picture 2>. Preserve its substantial length, thick girth, glossy moist skin, prominent wavy surface veins, rounded pink glans, and hairy base exactly throughout the target video; keep it oriented vertically so it reads as roughly forearm-length against <Subject 1>'s raised arm. Use the open hand in <Picture 2> only as a size/scale reference and to motivate <Subject 1>'s black nail polish — not as an additional person in the scene. summary: [reference generation] A locked, near-static reclined first-person POV from a supine man's head looking straight down his body axis inside a warm red-orange bedroom; at the bottom of frame his hairy crotch is visible and <Subject 2> rises vertically through the center with its glans in the upper third. <Subject 1> kneels on the floral bedding between his legs, facing the camera, gripping the mid-shaft of <Subject 2> with her right hand in wide-eyed disbelief; she then raises her free left forearm vertically parallel to the shaft on the right side of frame — elbow at the base, black-nailed hand at the glans — to prove the penis equals her full arm length, and reacts with shocked delight, tipping her head back to cry "holy fuck!" before bursting into open laughter as the comparison arm eases down. retention_analysis: <Picture 1> partially_preserved — supplies <Subject 1>'s facial identity, long straight black hair with full bangs, blue eyes, green spiked choker, white "NYMPHO" bandeau top, pink latex pleated skirt, and fishnet stockings with black lace tops, plus the red-orange ambient bedroom (wall posters, desk with glowing monitor and plant, floral bed linens); her upright standing pose and front-facing full-body framing are not carried over into the kneeling POV. <Picture 2> attribute_transfer — supplies <Subject 2>'s exact erect-penis appearance (length, girth, glossy moist skin, wavy veins, rounded pink glans, hairy base) and the forearm-length scale; its open hand is used only as a size reference and to motivate <Subject 1>'s glossy black nail polish, not as an extra subject. detailed_description: Warm red-orange ambient bedroom light, intimate locked first-person POV from a supine man's head, moderate depth of field keeping <Subject 1>'s face and the central shaft sharp while the background desk glow and posters stay softly readable. [Shot 1] 0.00–1.50 seconds — The camera is locked at the supine man's head height, looking straight down his body axis toward his feet; "down-frame" runs along his torso and "up-frame" recedes toward the far end of the bed. At the bottom edge of frame his own hairy pelvis/crotch is visible, from which <Subject 2> rises vertically through the center of frame — glossy moist shaft with prominent wavy surface veins and a rounded pink glans sitting near the upper third. <Subject 1> already kneels on the soft floral bedding beyond him along the same body axis, upright and facing the camera, knees apart straddling his thighs; her right hand is wrapped firmly around the mid-shaft of <Subject 2>, fingers not quite closing fully around its girth, while her left arm hangs at her side. Her head tilts slightly down, blue eyes wide and locked on the shaft, lips parted, brows raised in disbelief, long black hair with full bangs falling to both sides so her eyes stay clear. Behind her the red-orange lit wall with posters and a desk holding a glowing monitor and plant fill the periphery. The camera holds with only a faint organic lying-down breathing sway; a soft mattress/sheet settle is heard, then a quiet breathy gasp from <Subject 1>. 1.50–3.00 seconds — Disbelief beat: her eyes widen further, her head tilts a touch more to the side, and her lips part wider as she registers that her right hand cannot fully encircle the girth; her grip tightens slightly and the wavy surface veins of <Subject 2> read more prominently under the compression. A faint rustle of her pink latex skirt is heard as she leans a little forward onto the bed. No dialogue. 3.00–5.00 seconds — Comparison: still gripping with her right hand, she shifts her weight slightly forward and lifts her free left arm; she extends that forearm straight up and sets it vertically parallel to <Subject 2> on the right side of the frame, dropping her elbow to line up with the base of the shaft and raising her black-nailed hand to line up with the glans, holding the parallel "ruler" steady. Her eyes travel from her raised hand down along her forearm to the shaft and back, brow lifting higher as she sees the two verticals match in length. The camera performs one very small tilt-up so her raised fingertips stay inside frame, then settles back; soft fabric/arm movement is heard. 5.00–7.00 seconds — Payoff: she snaps her gaze up to the camera (the man), tips her head back slightly, and cries out shocked and breathless — <Subject 1> (S1) says in a wide-eyed, breathy voice, <d>[English] holy fuck!</d> — then breaks into open laughter, shoulders lifting and shaking. As she laughs, the comparison left arm eases downward toward her side while her right hand stays on the shaft, and her face fills more of the top of frame with an amused grin. 7.00–8.00 seconds — Ending hold: she keeps laughing, eyes crinkled, looking directly at the man (camera), right hand resting on <Subject 2>, left arm now lowered to her side, body settled into a relaxed forward lean; the vertical shaft remains centered at bottom-frame anchoring the POV. The camera holds steady with only breathing sway. overall_soundscape: Low warm room ambience (faint, no distinct source) under everything; soft mattress/sheet settle as <Subject 1> kneels and shifts; faint rustle of her pink latex skirt and fabric when she leans in and raises her arm (~3–5s); a quiet breathy gasp during the disbelief beat (~1.5–2s); the spoken line "holy fuck!" synchronized to her head tipping up at ~5–6s; genuine open laughter overlapping the final seconds (6–8s). non_diegetic_music: N/A

Video with no music here -> https://files.catbox.moe/vclqye.mp4 Song: Bunny is a Rider by Caroline Polachek___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Spiraling Blowjob prompt: For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] One continuous unbroken low intimate first-person POV shot from an adult man’s crotch/pelvis, looking level and slightly upward at a young adult woman lying between his spread hairy thighs on a bed. The opening frame matches the established reference composition: her face is centered in the upper-mid frame;she wears a white ribbed camisole and black lace g-string. she has dark hair in a loose messy bun with face-framing strands, brown eyes locked into the lens with a soft adoring half-smile, and lips slightly parted. She wears a white ribbed camisole/tank top. Behind her are two pillows and rumpled dark bedding under warm golden bedside key light from the left; moderate depth of field keeps her face and the foreground shaft sharp while the background stays softly blurred. In the center foreground, his large erect penis stands vertical: an impressively long, thick, fully erect shaft with heavy girth, prominent engorged veins running its length, a glossy wet surface, and a broad pink-red glans with a visible urethral ridge; it is sized so that a deepthroat can take most of the shaft into her mouth. The glans sits just below her lips. His hairy thighs frame the lower foreground corners. One of her hands cradles the lower shaft between his thighs. 0.0–1.0 s: She holds this still, adoring pose, eyes wide and soft on the lens, breathing gently; a small playful smile remains at the corner of her mouth. The camera stays tight at lap height with only the faintest settle into its planned downward pedestal motion. 1.0–2.0 s: She releases the hand that was cradling the lower shaft and slides both open palms upward/outward to rest flat on his pelvis—lower belly/hip area just above the foreground thighs—fingers spread, bracing her upper body. As she does this, an off-frame hand of his takes support at the base so the erect penis remains vertical without flopping; for the remainder of the shot, that off-frame hand continues to support the base continuously. A soft fabric/skin rustle and a light bedding compression creak accompany her lean-in. She leans her torso forward onto his lap, lowers her chin slightly, and parts her lips wide in anticipation; braces are clearly visible as her mouth opens around the approaching glans. The camera begins a slow controlled pedestal DOWN, dropping a few inches so the mouth/shaft contact zone becomes more dominant while her eyes remain in the upper frame. 2.0–3.6 s: The continuous deepthroat corkscrew begins; the camera finishes its pedestal-down settle by about 3.0 s and starts an early slow small-radius horizontal arc to the viewer’s left, staying physically close with no pull-back to full body while keeping the vertical shaft-to-face axis centered. His foreground thighs shift subtly with parallax as the camera moves. Clockwise/counter-clockwise are defined as seen by the camera: a clockwise down-stroke turns her face toward her left; a counter-clockwise up-stroke swings it through center toward her right. Her braced palms keep her torso stable, and subtle shoulder counter-rotation keeps her face readable without cumulative over-turning. Throughout the stroking sequence, her face and the penis remain in frame; only the glans may be briefly hidden by her head at the deepest part of a down-stroke, while her adoring eyes reappear clearly on every up-stroke. MOVEMENT 1 — DOWN (2.0–2.8 s): She lowers her head onto the shaft; her open mouth takes the glans and most of the girthed shaft deep, lips stretching around it with a bead of saliva at the mouth line. Her head twists +45° clockwise as seen by the camera, so her face angles toward her left while entering on a helical path. A wet mouth-contact sound syncs with entry. MOVEMENT 2 — UP (2.8–3.6 s): She raises her head to the top position off the shaft; the glistening shaft slides out with a wet exit sound and a faint saliva-stretch tick as a thin strand briefly connects her lower lip to the glans. Her head twists −90° counter-clockwise, swinging through center to an over-rotated top angle toward her right. Her eyes lift straight into the lens with a pleased, adoring look; braces are visible in her relaxed open smile. A soft pleased moan is audible. 3.6–5.2 s: The rhythm establishes itself while the camera remains mid-arc left, drifting slightly to one side but keeping her face and the shaft centered. Her loose face-framing strands sway with each twist; the messy bun stays intact. MOVEMENT 3 — DOWN (3.6–4.4 s): She lowers back onto the shaft in a deepthroat position, mouth taking most of the shaft again, lips compressed around the thick girthed length and saliva beading at the contact line. Her head twists +45° clockwise as seen by the camera, continuing the corkscrew helix. A wet slurp/contact sound syncs with entry. MOVEMENT 4 — UP (4.4–5.2 s): She rises to the top position; the shaft exits with a wet slide-out sound and a brief saliva strand stretching from her lower lip toward the glans before breaking. Her head twists −90° counter-clockwise, over-rotating past neutral toward her right. Her adoring eyes catch the lens directly at the top of the movement, and braces are visible as her mouth relaxes into an open smile. 5.2–6.8 s: The camera’s left arc eases toward center while maintaining close intimate proximity; her braced hands remain flat on his pelvis, anchoring her torso. MOVEMENT 5 — DOWN (5.2–6.0 s): She lowers again into a deepthroat, the glans and most of the shaft disappearing into her mouth, lips stretching around the heavy girthed shaft with wet sheen visible at the edges. Her head twists +45° clockwise as seen by the camera, turning toward her left on the downward helix. A wet contact sound marks entry. MOVEMENT 6 — UP (6.0–6.8 s): She lifts to the top position; the shaft slides out with a wet exit sound and a faint saliva-stretch tick. Her head twists −90° counter-clockwise, swinging through center to an angled top position toward her right. Her eyes lock onto the lens with a soft, worshipful adoration, and braces are visible in her parted smile. 6.8–8.4 s: The camera begins its slow arc to the viewer’s right; the foreground thighs and bed edge shift gently in parallax while the face/shaft axis remains readable. A tiny playful breathy giggle escapes just into MOVEMENT 7, around 7.0 s, followed by a soft moan on the following up-stroke. MOVEMENT 7 — DOWN (6.8–7.6 s): She lowers her head onto the shaft again; her mouth takes the glans and most of the shaft deep, lips stretching around it with saliva visible at the mouth line. Her head twists +45° clockwise as seen by the camera, continuing the exaggerated spiral toward her left. A wet mouth-contact sound syncs with entry. MOVEMENT 8 — UP (7.6–8.4 s): She rises off the shaft to the top position; the glistening shaft exits with a wet slide-out sound and a brief saliva strand stretching from her lower lip before breaking. Her head twists −90° counter-clockwise, over-rotating past neutral toward her right. Her eyes lift into the lens with a flushed, adoring expression, braces visible as her mouth relaxes open. 8.4–10.0 s: The camera continues its gentle arc to the viewer’s right; the spiral amplitude reads clearly as her face oscillates around the vertical shaft while her braced palms stay steady on his pelvis. MOVEMENT 9 — DOWN (8.4–9.2 s): She lowers into another deepthroat, taking most of the long girthed shaft into her mouth, lips compressed and wet at the contact line. Her head twists +45° clockwise as seen by the camera, turning toward her left on the downward stroke. A wet slurp/contact sound syncs with entry. MOVEMENT 10 — UP (9.2–10.0 s): She rises to the top position; the shaft exits with a wet exit sound and a faint saliva-stretch tick. Her head twists −90° counter-clockwise, swinging through center to an over-rotated top angle toward her right. Her adoring eyes catch the lens directly at the top of the movement, braces visible in her open smile. 10.0–11.6 s: The camera completes its arc to the right side and begins to settle into a tight right-offset framing while keeping both her face and the shaft in frame. MOVEMENT 11 — DOWN (10.0–10.8 s): She lowers one final time into a deepthroat, mouth taking the glans and most of the shaft deep, lips stretching around the heavy girthed length with wet sheen at the edges. Her head twists +45° clockwise as seen by the camera, completing another downward corkscrew turn toward her left. A wet contact sound syncs with entry. MOVEMENT 12 — UP (10.8–11.6 s): She rises to the final top position; the shaft exits with a clear wet slide-out sound and a brief saliva strand stretching from her lower lip before breaking. Her head twists −90° counter-clockwise, ending in a strong angled corkscrew position toward her right while still facing readable enough for her eyes to meet the lens. Her expression is flushed, breathless, and adoring; braces are visible as her mouth rests just clear of the glistening glans with a faint wet sheen on her lips. 11.6–12.0 s: She holds at the top of the final up-stroke, both palms still braced flat on his pelvis, head raised off the glans in the strong angled corkscrew position. She looks straight into the lens with a flushed, breathless, adoring smile as the spiral settles. The camera is nearly still in its tight right-offset POV framing on her face and the vertical shaft below it; she releases a soft breathy “mmh” as the final intimate image holds. overall_soundscape: Warm quiet bedroom ambience with soft bed/room tone throughout. Synchronized physical sounds include a breathy whispered line at the start, fabric/skin rustle and light bedding compression as her hands move from the shaft to his pelvis around 1 s, wet mouth-contact sounds on each down-stroke, wet slide/exit sounds plus faint saliva-stretch ticks on each up-stroke, soft pleased moans on up-strokes, a tiny playful breathy giggle near 7 s, and a final soft breathy “mmh” at the closing hold. No music. non_diegetic_music: N/A

[source image: https://civitai.red/images/139560484] <Picture 1> (from [Shot 1]) aligns with the 00:00.000-second mark of the target video. integrated_multimodal_description: [Shot 1] Live-action, cinematic, a medium close-up frames a young woman and a young man. The man is loudly moaning with pleasure, rhythmically thrusting his hips up and down, inserting and withdrawing the penis from her mouth while holding her head with both hands forcing her to deepthroat. The wet sounds of sucking and penis sliding her mouth are prominent. His groin and scrotum are thickly covered in semen, as is her face, while she maintains eye contact with someone away the frame. The man says, while keeps holding her head and moaning, "Yeah, babe, you throat is magnificent... I know, it's third time in a row... Oh! But I just can't get enough, let's do it just once more!" and as he utters the last word, he begins rapidly thrusting his hips up and down, deeply inserting and withdrawing the penis from her mouth like a jackhammer while holding her head with both hands, causing his groin to smash against the woman's mouth with a wet smacking sound. Such speed up causing woman's eyes widen sharply in shock before she closes them and frowns, expressing discomfort. The rest of the video man keeps thrusting his hips rapidly sliding his shaft deep inside her mouth simultaneously bobbing her head vertically with both hands to increase deepness of penetration and continuously smashing his groin against woman's mouth while his loud, throaty groans mixing with wet smacking sounds of the impact and throaty gagging sounds from the woman. overall_soundscape: Loud, rhythmic wet smacking sounds accompany the deep thrusting motions, mixed with the man's loud moans of pleasure. non_diegetic_music: N/A

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