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instagramification flux2

instagramification flux2

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FLUX 2 / KLEIN · LoRA's

by Ggrue - Instagramification

Ultradetailed photo, casual snapshot, wide angle, 1girl, igbaddie, 18 years old, model pose, pouting, looking up at viewer, strawberry red hair, long hair, (green eyes), (freckles), medium breast under clothes, (skinny:1.5), thigh gap, ((black running shorts, thigh gap)), loose white sweater cropped under breasts, midriff exposed, (cameltoe), hotel room, city view

illustration, drawing, anime, furry, painting, (3d, render, cgi, doll, painting, fake, 3d modeling:1.4), (worst quality, low quality:1.4), child, deformed, malformed, bad hands, bad fingers, bad eyes, bad teeth, long body, blurry, duplicated, cloned, duplicate body parts, disfigured, extra limbs, fused fingers, extra fingers, twisted, distorted, malformed hands, malformed fingers, mutated hands and fingers, conjoined, missing limbs, bad anatomy, bad proportions, logo, watermark, text, lowres, mutated, mutilated, blend, artifacts, gross, ugly, depth of field, asian, face defects)

A handsome young man, side swept light brown quiff hair, lifting his shirt showing chest and abs with his tongue out, Ma1eC1imax, is live streaming while wearing headphones. There are comments scrolling across the screen, including his username "Blondboi69" in the upper left corner with a Anonymous Person Icon. In the lower left corner, there are many comments such as "Take it off," "hot" "How much for one night?", "your cute" "Who is he," "We love you!", "damm", "Hi Chat!!" and a stream of heart emojis.

Women, female, chick, girl, low quality, cartoon, blurry, vintage, drawing, illustration, out of focus, cartoon, illustration, drawing, blurry, bad, low resolution, bad quality, poor quality, worst quality, poor effort, asymmetry fashion. bad anatomy, unrealistic proportions, night

Make this photo high-quality. closeup, shoulder length naturally wavy natural blonde hair with high double parted swept back bangs, big eyes, pretty makeup, adorably cute igbaddie girl in her early 20s, completely covered in freckles on her nose and cheeks, huge lips, flirty, smug smile, one raised eyebrow, pink short sleeve crop top, short and tight sleeves, dramatic crop top overhang, dramatically overhanging crop top, loose baggy fabric, massive breasts, pale low-waisted stylishly torn jeans, long pants, curvy body, slightly plump, body proportions of a very short girl or a very exaggerated shortstack, standing over viewer, looking far down at viewer, one hand on hip, one hand touching a finger to the corner of her mouth, school hallway background, view from below, extreme low angle, taken from a very low angle as though the viewer is half the height of the girl and looking far up at her, realistic, perfect masterpiece photo, skin texture, extreme detail,

igbaddie, A woman seated in the front passenger seat of a car with the door open, framed in a horizontal snapshot from mid-torso to just above the head, camera at eye level from outside the doorway looking inward, perspective slightly angled from the front so the seatback and door frame edge create converging lines to the left. The pose is casual and engaged with the upper body turned a few degrees toward the lens, chin slightly tucked, head tilted a touch right, gaze threaded over the tops of small, narrow, oval sunglasses with metallic rims that sit low on the nose, a bright smile revealing teeth, and relaxed brows for a friendly, playful expression. a black choker with a small charm circles the neck. Wardrobe consists of a white lace-trim camisole visible beneath an open long-sleeve plaid shirt in soft pastels draped loosely over the shoulders and arms. Hands are held together near the lap with fingers mid-gesture as if completing a casual sign or emphasis. The car interior shows textured gray fabric upholstery, a shoulder seatbelt hanging vertically beside the seat, and the dark door frame forming a vignette at left and bottom; the window glass reflects faint exterior shapes. Background outside the car reveals a sunlit brick wall rendered softly out of focus. Lighting is warm late-afternoon daylight entering from camera right and slightly behind, creating a bright rim along the top of the head and the shoulder, while softer fill from the open door illuminates the face; shadows are gentle with mild contrast, and film-like grain adds a nostalgic 1990s snapshot feel. Composition centers the face just left of the vertical midpoint, the door frame and seatbelt provide strong verticals, the diagonal of the plaid sleeve leads toward the hands, and the shallow depth of field keeps the subject crisp while the brick background remains soft, capturing an intimate candid portrait in a parked car.