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galaxyace ltx2

galaxyace ltx2

Las descargas las sirve Civitai. Algunos creadores piden iniciar sesión en Civitai primero.

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LTX2 · LoRAs

by aiguild - GalaxyAce LoRA

[real time motion], [realism], [in real life footage], [real animal texture], early 2010s low-end android footage. Photorealistic shot 1: [Wide cinematic tracking camera]. A stylish anthropomorphic sheep with curled ram horns and thick cream wool stands inside a bright industrial loft with large arched brick windows, soft daylight flooding the room. She wears a tight blue long-sleeve dress hugging her fluffy body. She bends slightly forward with hands on her knees, looking toward the camera as if asking for approval, tail twitching slightly. female sheep Voice: "Hey baby… be honest… does this dress make me look fluffy or fabulous?", Male off-screen voice: "It, uhh, it looks fabulous hon". Photorealistic shot 2: [Medium handheld push-in camera]. The sheep slowly straightens and turns sideways, shifting her hips to show the profile of the dress. The fabric stretches smoothly over her wool while she checks her reflection in the window glass, giving a playful glance back to the camera. Female sheep Voice: "Wait… maybe it’s just the angle. Cameras add like… ten pounds of wool, right?", Male off-screen voice: "N-no, you're fine". Photorealistic shot 3: [Low angle cinematic dolly move]. She rotates her body and places one hoof-hand on her hip, striking a confident pose while tilting her head. The camera circles slightly around her as sunlight highlights the texture of her fleece and the bright blue dress. female sheep Voice: "Okay okay, new pose. This is my ‘runway sexy chic’ look.", Male off-screen voice: "l-lets go baby, we don't want to late for the party". Photorealistic shot 4: [Close-up slow tracking camera]. She leans closer to the lens, adjusting the dress at the waist and twisting her torso to show another angle, ears flicking while she studies the camera’s reaction. Voice: "If this dress survives my sexy fluff physics… it deserves a fashion award.", Male off-screen voice: "ofcourse, lets go, we gonna be late". Photorealistic shot 5: [Wide cinematic orbit camera]. She spins lightly and finishes with a playful pose, hands on hips and one leg slightly forward, the dress stretching as she proudly shows every angle in the sunlit loft. Voice: "Alright, final verdict… do I look stunning, or should I blame the dress again?", Male off-screen voice: "Y-You look Fantastic, can we go now?".

cartoon, anime, bad quality, blur, text, words, unreal, fake skin, unrealistic, unnatural, bad motion,

early 2010s low-end android phone footage Shot 1: [Close-up] Flat daylight at a small city bus stop. A beautiful Instagram-style young blonde woman sits on a metal bench. The frame captures her from shoulders up. Clean skin, light makeup, glossy lips, well-groomed eyebrows. Her blonde hair falls neatly over one shoulder. Background is softly blurred: hints of a bus stop sign and pavement. The framing is casual, slightly tilted, with mild digital noise. (Sound FX: distant traffic hum, footsteps, faint wind) Shot 2: [Extreme Close-up, Abrupt Digital Zoom] The camera snaps closer, slightly oversharpened. A male voice speaks from off-screen, calm but tentative. She looks toward the sound, pauses for half a second, then gives a small, confident smile — practiced but natural, the kind meant for a camera. (Dialogue: — "Hi, can I talk to you?" — "Yes.") Shot 3: [Close-up, Static Hold] The camera holds on her face. The smile remains, soft and composed. She adjusts her posture slightly, chin lifting a fraction. She does not speak again. The moment lingers, clean and quiet. (Sound FX: distant bus braking, soft city ambience)

Shot 1: [Wide Shot, Slow Dolly In] early 2010s low-end android phone footage, a lot of diverse cars driving in a busy street in new york manhatten reflecting off wet asphalt and car windows, a row of parked cars glinting under street lamps in the golden hour. a lot of pedestrians walking on the sidewalk. The street hums with distant engines and faint music from nearby clubs. (Sound FX: engine idling, distant chatter). from the distance you her singing an female opera voice in Italian: "La donna è mobile, qual piuma al vento, muta d’accento e di pensiero. Sempre un amabile, leggiadro viso, in pianto o in riso, è menzognero." Rich, resonant notes echo through the space. Shot 2: [Medium Close-up, Handheld] a woman in a red opera dress and on high heels strolling on the sidewalk comes into the frame. As her voice climbs in pitch, her brows lift, and her expression becomes more passionate, almost vulnerable. Shot 3: [Tracking Shot, Over-the-Shoulder] Camera follows her as she walks past the row of cars, traffic lights reflecting in her eyes. pedestrians claps their hand behind her, yellow cabs and cars pass by, and the street feels alive. (Sound FX: tires on asphalt, distant people applaud.)

Style: cinematic-realistic video, handheld selfie video captured with a front-facing camera on a low-end early-2010s Android smartphone, golden hour, New York City, Manhattan. A woman records herself in selfie mode, holding the phone at arm’s length. Her face is clearly visible, front-facing, centered, and remains fully inside the frame at all times, from forehead to chin. The framing is unmistakably a selfie: the camera is slightly angled downward and inward toward her face, with mild wide-angle distortion typical of a cheap front camera. Her right forearm and hand are continuously visible along the far-left edge of the frame, fixed in position and never swinging or drifting, confirming she is physically holding the phone. The arm remains a stable compositional anchor throughout the entire clip. She walks forward at a steady pace while maintaining direct eye contact with the camera lens. The camera motion shows gentle vertical bobbing synchronized to her footsteps — subtle, imperfect, human — but the framing of her face stays locked and consistent despite movement. Behind her, the city scrolls past: rain-wet Manhattan sidewalks reflect headlights and amber streetlights; cars move in both directions — sedans, SUVs, yellow taxis — their lights briefly streaking and smearing due to motion and sensor noise. Parked cars line the curb behind her shoulders, metallic surfaces glowing warmly. Pedestrians pass behind her, blurred figures crossing the background, entering subway entrances, pausing near storefronts. Urban ambience surrounds her: distant diesel engines idle, muffled horn blasts echo intermittently, low bass pulses leak from nearby clubs. The scene feels alive and unfiltered. Throughout the walk she sings directly to the camera, operatically and confidently, in fluent Italian. Her facial performance is readable and consistent: eyebrows lift slightly during crescendos, lips open wide on sustained notes, cheeks tense with breath support, eyes briefly closing during climactic phrases before reopening to reconnect with the lens. Her expression is sincere and intimate, not theatrical — a private performance unfolding in public space. She sings in Italian: "La donna è mobile, qual piuma al vento, muta d’accento e di pensiero. Sempre un amabile, leggiadro viso, in pianto o in riso, è menzognero. È sempre misero chi a lei s’affida." The environment remains grounded and unstaged: rain-darkened asphalt absorbs scattered sunlight unevenly, glass facades behind her refract warm orange-gold tones fading into dusky violet. Neon reflections ripple across puddles. Street signs blur softly with motion. Nothing feels staged — this is a real selfie video, imperfect, personal, and continuous.

Woman going out, Selfie

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Woman going out, Selfie

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Shot 1: [Wide Shot, Slow Dolly In] early 2010s low-end android phone footage, a lot of yellow cab driving in a busy street in new york manhatten reflecting off wet asphalt and car windows, a row of parked cars glinting under street lamps. a lot of pedestrians walking on the sidewalk. Young people in casual 2010s fashion lean against vehicles, checking phones and chatting. The street hums with distant engines and faint music from nearby clubs. (Sound FX: engine idling, muffled bass, distant chatter) Shot 2: [Medium Close-up, Handheld] a woman in bikini sitting in one of the cars on the passenger side and yells through the open window (she says: "yippi ya yeah, Are we finally going somewhere tonight?"). she holds her arms out through the windows up into the air. she says "Party! PArtyy!". Shot 3: [Tracking Shot, Over-the-Shoulder] Camera follows her as she drives past the row of cars, traffic lights reflecting in her eyes. pedestrians laugh behind her, yellow cabs and cars pass by, and the street feels alive. She exhales and smiles slightly, ready for the fun?. (Sound FX: tires on asphalt, distant laughter)