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real scene anime h3

real scene anime h3

Descărcările sunt servite de Civitai. Unii creatori cer mai întâi autentificarea pe Civitai.

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MINIMAX H3 · LoRA

by paralaif_xox - Real Scene Anime Character

integrated_multimodal_description: The image showing Treefolk in the plaza in City Glow. Treefolk, ancient tree with an old man's face on the trunk, bark perfectly repeats facial creases, the face is furrowed and full of wisdom, as if it were looking straight into the soul of the viewer. Urban Scenery, cityscape, a modern city setting, plaza, wide paved civic square bordered by mixed storefronts and office buildings, stone planters and benches arranged in geometric spacing, central sculpture anchoring the open space. Loose elements in the scene are blown by the wind in City Glow, diffused urban glow against skyline haze, moody atmospheric tone, streaked streetlights cutting the haze adding to the scene illumination, out-of-focus background city lights turn into bokeh circles with blooming highlights. Semi-realistic style, the characters are anime but the setting, scene, weather and lighting are all real life. <Shot 1>: At 00:00.0, the frame opens on a wide establishing view of a vast civic plaza at dusk, its wet stone tiles acting as dark mirrors that catch streaked reflections from overhead streetlights in long amber and cool blue pools. A colossal treefolk dominates the center-left foreground—its trunk thick and deeply fissured, bark grooved with patterns so perfectly aligned it forms an ancient weathered man's face: furrowed brow ridges of knotted wood, deep-set hollows where eyes should be, a creased mouth line splitting downward toward mossy chin. A young woman reclines against the gnarled roots at its base, blonde hair streaked with faded red tips falling over her shoulders; an oversized print zip hoodie drapes loosely across her frame, baggy jeans pooling around her sneakers, headphones coiled around her neck like a silver scarf. She leans back against the bark with one leg stretched out and arms resting behind her head, gazing up into the treefolk's carved features as though sharing a quiet family moment. Behind them, bronze statue silhouettes anchor raised platforms while planters of small trees line geometric paths where blurred pedestrians drift past in slow bokeh trails. Towering modern buildings rise beyond the plaza edge, their windows glowing faintly against the hazy twilight sky. The camera is positioned close to the trunk's base and begins a smooth parallax glide to the right; foreground leaves hang down at the top frame edge swaying gently while background city lights bloom into soft circles of halation. Warm moody tungsten glow bathes the scene in earthy browns and grays of bark and pavement contrasted by cooler twilight tones overhead. Soft ambient hum of distant traffic, faint murmur of passing pedestrians muffled through evening air, a low rustle of dry leaves caught on an unseen breeze fill the space. <Shot 2>: At 00:02.2, camera continues its steady parallax motion to the right; foreground trunk elements sweep past rapidly while midground and background glide slower, creating layered depth separation that pulls focus toward the intimate exchange between woman and treefolk. The ancient carved face fills more of frame—bark creases catching warm light in ridges like deep wrinkles, hollow eye sockets dark voids staring straight into lens with uncanny soul-deep presence. Woman tilts her head slightly upward as if meeting his gaze from below, lips parted mid-breath, expression soft and unhurried. The treefolk speaks first, voice elderly, gravelly and wise—rolling out of the wood grain itself, textured like dry leaves crumbling in wind: <d>You've been coming here, since you were a little one.</d> Delivered slowly with paternal tenderness, each syllable weighted by decades implied in its cadence. Background bokeh circles drift laterally as parallax continues; wet tile reflections smear beneath the woman's sneakers catching pools of amber streetlight. <Shot 3>: At 00:04.5, cut to a tighter medium close-up framing both faces diagonally—treefolk's ancient countenance occupying upper-left while woman looks up from lower-right, her hoodie collar bunched at throat, one hand resting casually on knee. Her expression is deliberately nonchalant: eyes half-lidded, chin tilted just so, lips parting in a single lazy exhale before she answers with flat minimal tone—barely more than a breath-shaped syllable slipping out unimpressed yet not unkind <d>Yeah</d>. The word lands small against the vastness of his carved features above her. Background storefront glows slide past in horizontal blur while foreground bark texture remains sharp and detailed, halation blooming softly around every out-of-focus light source behind them. People in the background hurrying to get home in their commute. Parallax completes its rightward sweep, skipping quickly a black silhouette of a commuter in the foreground, settling into near-static hold. <Shot 4>: At 00:06.5, camera eases into a slightly elevated angle looking down at the woman from just above her eye line as she shifts weight on roots. She glances upward with questioning half-smile forming beneath her lower lip before turning fully toward the ancient face above. The treefolk speaks again—voice dropping deeper into weathered timber resonance, each word deliberate and searching like fingers tracing old grooves <d>And every time it wasn't for a good reason… what happened this time?</d> A pause hangs between them; her gaze searches his bark-carved features with quiet vulnerability beneath nonchalance. Streetlight beams cut diagonal streaks through thin evening haze behind the bronze statue, scattering golden motes across wet pavement below both figures. overall_soundscape: Low urban ambient bed—distant hum of traffic rolling under plaza level, faint rhythmic shuffle and murmur of pedestrians walking past in soft focus muffled by distance, occasional distant car horn swallowed by atmospheric reverb, gentle dry rustle of wind caught among hanging leaves at frame top edge, subtle creaking vibration from the ancient treefolk's trunk resonating like a deep wooden sigh beneath dialogue. non_diegetic_music: Sparse ambient underscore swelling gently beneath conversation—low warm analog synth pads drenched in tape saturation blending with distant city drone textures, minimal piano notes entering only after S1's final question lingers into silence.

zidiusArt, masterpiece, very aesthetic, The image depicts a massive purple eva-01 mecha from evangelion resting or abandoned on a grassy hill, with majestic mountains and a cloudy sky in the background. Here is a detailed breakdown of the visual elements:Subject: A large, intricate robotic head on its side, its Unit 01's head from evangelion with purple and green armor that appears to been heavily damaged in battle with jagged gashes on its metal armor, weathered and battle-worn, covered in dents and scratches on its paint. Its head seems to been separated from the rest of the body and left there, it has empty dark eyesockets where its luminous eyes used to be and are now just two dark holes showing the unit its shutdown. Its jaw armor armor broken exposing the white teeth that were behind it. Environment: The mecha's head is integrated into nature, with green bushes, orange wildflowers, and vines growing over and around its metallic body with peeling paint and rust, its dark eyes suggesting it has been lying there for a long time, two small people in trekking clothes are standing on the ground next to it looking at the abandoned mech. Small birds are sitting on top of the robot's head. Background: High, rocky mountain peaks rise in the distance under a dramatic sunset sky filled with soft clouds. Mood: The overall atmosphere feels quiet, nostalgic, and peaceful, blending the awe inspiring lost technology of the destroyed mech's head with the serene beauty of the natural world surrounding it.