/

/

skin 3d krea2

skin 3d krea2

I download sono forniti da Civitai. Alcuni creatori richiedono prima l'accesso a Civitai.

AD

Informazioni su questo modello

KREA2 · LoRA

by storyAura - 3d skin Krea2

A single female character is depicted from the chest up against a solid magenta background. She has long, dark hair with several loose strands curving around her head. Her large eyes are bright yellow with dark concentric circular patterns in the pupils. Her cheeks are flushed with a pink hue, and small sweat drops are visible on her forehead and chin. Her mouth is wide open, revealing a pink tongue and white teeth, with a small droplet of clear liquid at the corner of her lip. Both of her hands are raised to her face, with her palms resting against her cheeks and fingers slightly splayed near her temples. She is wearing a dark, olive-drab jacket with a ribbed collar and a metallic zipper partially visible down the center. The shot is a front-facing close-up with a central composition and flat, even lighting that emphasizes the character's features against the saturated background. The focus is sharp across the entire figure, and no parts of the image are censored.

a cute anime girl Hakurei Reimu with brown hair tied in a high ponytail with a large red and white frilly bow. She wears a traditional shrine maiden outfit consisting of a red sleeveless top with white lace trim, white wide sleeves with red ribbon accents, a short red skirt with white lace underskirt, white loose socks. She is standing in front of a modern vending machine at night, opening her wallet and staring at it in complete shock after realizing it is completely empty. Her eyes are wide, her mouth slightly open, and her expression is a mix of disbelief and despair. The vending machine full of colorful drinks glows mockingly in front of her, comedic frustration, realistic Japanese street at night.

A fictional female character with long black hair and large, pointed grey animal ears sits on a wooden bench. She has red eyes and drinks from a green melon-flavored juice box via a straw. Her attire includes a white t-shirt with blue trim, blue shorts, and a dark blue track jacket draped over her shoulders. The outdoor setting features bright, dappled sunlight casting shadows across her legs and the bench. The background consists of blurred green and white foliage. The camera uses a high-angle perspective and shallow depth of field, centering on the character. No censorship is present.

This image depicts an indoor scene where a yellow, spiral-shaped enclosed water slide terminates over a swimming pool with blue-tiled walls. A fictional female character with long teal pigtails and a grey and teal outfit is emerging from the slide's opening, moving toward the water below. Her figure is heavily distorted with motion blur, and she has wide eyes and an open mouth. The pool contains rippling water, and a silver metal ladder is attached to the tiled edge. The surrounding walls have a rough, beige texture under dim, overhead lighting. The entire composition is overlaid with a white camera recording interface, featuring corner brackets, a red "● REC" indicator in the top-left corner, a battery level icon in the top-right, and a tape reel icon in the bottom-right. The shot is a wide-angle view from across the pool, capturing the full length of the slide and the character's descent. No censorship is present in the image.

A female character with large brown animal ears and long brown hair stands centrally in a medium shot. She has red eyes, flushed cheeks, and a smile, looking forward. Her hands are clasped at her chest. She wears a black long-sleeved top with a white collar and a dark green pleated skirt. Two speech bubbles contain text: the top-left reads "Hi... I can't believe you just left and abandoned me..." and the bottom-right reads "But none of that matters anymore. I'm here now, and we'll always be together." The indoor background shows a green hexagonal-tiled floor and a blurred dresser. The composition is eye-level and centered under soft lighting. No censorship is present.

A blonde female character crouches in a field of sunflowers under a bright sky with white clouds. She has long yellow hair and wears a white sleeveless dress and wooden sandals. Her head rests on her right hand with a relaxed, sleepy expression. She wears a wide-brimmed white sun hat adorned with small sunflowers and a large red bow. A purple gourd lies on the ground beside her. The composition uses out-of-focus foliage in the foreground to frame the subject, while the background consists of numerous sunflowers. Bright sunlight creates sharp shadows on the ground. The shot is at eye-level with a shallow depth of field. No censorship is present.

A single wide continuous image/ no dividing line/ no panel border — a single shared interior space split by one long central wall/ but the wall is shown as a real architectural cross-section/ as if sliced open/ revealing its actual physical construction layers stacked symmetrically from left to right: a layer of red brick masonry on the punk side/ then a central layer of cavity insulation (pale yellow fibrous batting) running through wooden vertical framing studs spaced evenly through the cavity/ then a second layer of red brick masonry on the pink side — brick on both outer faces of the cutaway with insulation sandwiched in the middle/ matching on both sides so the wall reads as one continuous symmetrical structure. The cutaway fits naturally into the room as if this vertical slice of the wall structure is genuinely exposed/ with the top and bottom edges of the cutaway feathering back into the normal wall surface above and below. Small details within the cutaway: a bundle of electrical wiring stapled to one stud/ a faint water stain on the insulation/ and hidden in a small gap in the insulation near the skirting board/ a tiny mouse nesting on a scrap of pink fabric it dragged in from the other room/ peeking out curiously at the viewer. Critical composition rule: this is a single flat wall/ photographed completely head-on/ exactly like a museum diorama or a dollhouse with the front wall removed/ viewed directly perpendicular to the wall's surface. The entire wall — on both sides of the central brick cutaway — is one continuous flat plane running from the far left edge of the image to the far right edge/ at a constant distance from the camera. It does NOT recede/ angle/ or turn away from the camera at any point. There is no second wall meeting it at an angle/ no corner/ no vanishing point/ no perspective convergence of any kind — every vertical line in the wall (window frames/ blind edges/ wall edges) remains perfectly vertical and parallel to the image edges/ and every horizontal line (window sills/ blind slats/ floor line) remains perfectly horizontal/ as in an architectural elevation drawing rather than a photograph with depth. The window on each side is cut directly into this single flat wall/ centered behind each woman/ sitting flush with the wall surface/ not recessed into an alcove and not angled on a returning side wall. Both women stand a few feet in front of this flat wall/ in profile/ with their bodies also parallel to the picture plane/ facing sideways along the wall rather than into any depth. On the left side: a hardcore punk young woman/ sharp choppy black bob with uneven self-cut fringe/ heavy smudged black eyeliner/ multiple ear piercings/ a spiked choker/ smoking a cigarette with a thin trail of smoke curling upward/ standing in profile facing left. She wears a torn black band t-shirt held together with safety pins/ one shoulder seam ripped open/ a denim vest covered in patches with a hand-painted anarchy symbol/ a studded leather belt worn low/ black ripped trousers with a hanging chain/ fingerless studded gloves/ layered spiked bracelets. Her venetian blinds are shut completely/ lowered all the way down to the windowsill with zero gap at the top/ fully covering the window — no open sky or sun disc visible at all/ only bright light bleeding through the narrow horizontal gaps between the closed slats in thin glowing lines/ cutting across her face and the dark room. Her entire room is swallowed in near-black shadow/ wall color behind her indiscernible beyond the exposed cutaway/ only implied shapes of furniture and posters as darker shapes within the darkness. Torn band posters/ spray-painted tags/ and a cracked framed mirror are barely visible on the wall/ more implied than seen. A CRT television glows with static in the dark/ casting a cold blue-white flicker across her legs and the floor/ a guitar case and a crate of vinyl records leaning nearby. The only light sources are the glowing cigarette ember/ the TV static/ and the thin horizontal beams leaking through the fully shut blinds. On the right side: a young woman with long wavy bubblegum-pink hair/ a heart hair clip/ holding a lollipop near her lips/ standing in profile facing right. She wears a pastel yellow cropped t-shirt with a heart print/ high-waisted denim shorts with a frilled hem/ layered friendship bracelets. Her room is fully lit/ soft pink walls/ fairy lights strung along the top edge/ a wall collage of polaroids and stickers/ a purple television playing a colorful cartoon on a mint-green dresser/ plush teddy bears scattered around/ lit candles/ a framed photo and cup of colored pencils on the windowsill. Her venetian blinds are the exact same size/ shape/ and slat style as the punk side's/ but fully raised and open/ the entire window unobstructed/ sunlight pouring in freely with the full sun disc/ sky/ palm trees/ and ocean fully visible — the identical blind hardware on both sides makes clear it's the same window design/ just closed on one side and open on the other. Both sides share the exact same window shape/ size/ and placement on the flat wall/ the same horizon line and camera height/ and the same beach and ocean scenery outside/ proving it's the same building and the same moment in time.

none