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minidv h3

minidv h3

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MINIMAX H3 · LoRAs

by matcheal - MiniDV Nostalgia. Early-2000s home video / MiniDV vibes: soft detail, imperfect focus, uneven exposure, handheld wobble, and casual framing. Raw, nostalgic footage that feels like friends filming everyday life on a consumer camcorder. Caveat - due to training data missing audio, the model currently hinders the MiniMax H3 audio generating abilities. Due to that, it may currently potentially only be used for visual purposes.

integrated_multimodal_description: [Shot 1] y2km1n1dv. Compose in 4:3 with two shots. a young adult woman and her boyfriend are already running away along a broad pavement on a Boscombe shopping street. She is a slim young adult woman with fair freckled skin, a softly oval face, a straight narrow nose, full natural lips, and a short wavy dark-brown bob with a loose fringe. Her green-grey eyes and black winged eyeliner sit behind round dark sunglasses with thin gold frames. She wears a fitted blue-and-white small-check gingham mini pinafore with broad straps and a square neckline over a plain white short-sleeved crew-neck T-shirt, layered fine gold necklaces, and black buckled sandals with heel straps. A dark-green canvas tote hangs from her right shoulder. Her boyfriend is a slim young adult man with short untidy dark-blond hair, a clean-shaven angular face, a faded banana-yellow football shirt with plain dark-blue collar trim, loose charcoal jeans and worn white trainers. She stays half a step ahead on the shop side, with him nearer the kerb. Her right forearm holds the tote strap against her shoulder while the bag bounces against her right hip. Their free arms pump naturally and their feet alternate in a running stride. Follow from roughly two metres behind at shoulder height. The initial framing briefly shows both complete figures and establishes her gingham dress, bob and tote and his banana-yellow shirt. Closed metal shop shutters, red-brick upper storeys, recessed shop doors and a row of kerbstones recede beside them in dull late-afternoon light. Keep them on the pavement, moving along the same side of the street. Use strong camera shake with extreme amplitude: heavy vertical impacts on each advancing step, abrupt lateral jolts and fast horizon rolls. Their shoulders repeatedly leave the top or side of frame before a late correction recovers them. Hard jolts produce brief motion smear, alternating with short readable glimpses of the two bodies and the shopfronts. The camera advances unevenly behind them, losing a little distance and catching up; the movement continues through the cut. [Shot 2] At 00:04.000, hard cut to a low side-on tracking view from the kerb side, looking toward the same shopfronts. Both keep running in the same direction, now left to right across the composition. The woman remains slightly ahead. Move alongside at about knee height; her black sandals, his worn white trainers and their alternating lower legs dominate the frame. Her dress hem and swinging tote enter along the upper edge. Continue strong camera shake with sharp vertical bouncing and lateral jolts. The lens briefly pitches down to the paving slabs, losing both runners except for a shoe at the upper edge. It then tilts back up toward waist and shoulder height to recover her side profile, round sunglasses and bouncing bob, with her boyfriend's banana-yellow shoulder just behind. Preserve their clothing, proportions and distinct positions through the blurred intervals. End mid-stride while both are still running. overall_soundscape: N/A non_diegetic_music: N/A

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